All Adriaen van der werff Oil Paintings

Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics
 

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Adriaen van der werff Young shepherd embracing a shepherdess. oil on canvas


Young shepherd embracing a shepherdess.
Young shepherd embracing a shepherdess.
Painting ID::  86476
  Date c. 1690(1690) Medium Oil on canvas Dimensions Height: 46 cm (18.1 in). Width: 38 cm (15 in). cjr
  Date c. 1690(1690) Medium Oil on canvas Dimensions Height: 46 cm (18.1 in). Width: 38 cm (15 in). cjr

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Adriaen van der werff Sarah Bringing Hagar to Abraham oil on canvas


Sarah Bringing Hagar to Abraham
Sarah Bringing Hagar to Abraham
Painting ID::  87693
  1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cyf
  1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cyf

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Adriaen van der werff Sarah presenting Hagar to Abraham oil on canvas


Sarah presenting Hagar to Abraham
Sarah presenting Hagar to Abraham
Painting ID::  88597
  1699(1699) Medium Oil on canvas cyf
  1699(1699) Medium Oil on canvas cyf

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Adriaen van der werff Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen. oil on canvas


Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen.
Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen.
Painting ID::  90232
  1696 Medium oil on canvas cjr
  1696 Medium oil on canvas cjr

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Adriaen van der werff Self-portrait oil on canvas


Self-portrait
Self-portrait
Painting ID::  91042
  1696(1696) Medium oil on panel Dimensions Height: 38.5 cm (15.2 in). Width: 29 cm (11.4 in). cyf
  1696(1696) Medium oil on panel Dimensions Height: 38.5 cm (15.2 in). Width: 29 cm (11.4 in). cyf

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     Adriaen van der werff
     Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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